Tuesday, June 28, 2011

Back Home in Texas


It was in the 50s when I left London and 101 degrees when I landed in Waco at 5:30 p.m.  Welcome back to Texas!

It’s been quite an adventure!  Nine operas, two academic symposia, two study days, one wedding, five abbeys, at least twelve museums, and numerous afternoon hikes later, I now am home.  Thanks dear friends and family for your encouragement and support. 

Daniel greets me with good news and bad.  The bad news:  While Daniel was visiting me in England, his car was so badly damaged by hail it probably will have to be totaled (along with 12,000 others).

The good news:  We’ve paid off our mortgage!  What a great welcome home and wedding anniversary present!
Laurel & Daniel at the Crites-Barrett wedding


I have more stories to tell, so even though I am back in Texas I plan to write more posts.  Thanks again for your encouragement.  I feel so blessed to have had this opportunity.  
                                                                                                                         June 21, 2011




Thursday, June 23, 2011

Good-bye to Lewes


Good-Bye to Lewes  -- June 14, 2011

Castle on my last evening in Lewes

After I packed up this evening, I decided to take one last hike on the Downs.   The air was clear and the breeze not too sharp. 



As I entered the wildlife protection area, I was greeted by nine rabbits, who then promptly scurried away.  I hiked for over an hour in the evening cool.  As I crested what I had decided would be my last hill, a mother rabbit and her baby were on the path and a hot air balloon was suspended over the dale. 



It felt like one last unexpected gift.


Wednesday, June 8, 2011

Symposium a Success!


Just a short post to let you know that the symposium Time, Realism, and Convention in Recent Opera was a success –- a small crowd but very meaningful to the folks that were there.  Scholars, composers, and opera directors from England, Wales, Portugal, Germany, Greece, Serbia, and the Netherlands attended.  As you can imagine, we had some good discussions and I am pleased that my opening remarks managed to connect the various papers together.  Now after a celebratory drink at the university’s pub, I am in dire need of dinner!  

Monday, June 6, 2011

Symposium


I haven’t written much for the blog lately because I’ve been busy preparing for the symposium below.  It promises to be a thought-provoking day!  The complete program and abstracts are on the website:  

Symposium: Time, Realism and Convention in Recent Opera

Time, Realism and Convention in Recent Opera 
A Symposium Organised by the Centre for Research in Opera and Music Theatre at the University of Sussex 
David Osmond Smith Room, Falmer House 120, University of Sussex, 8 June 2011


This is new territory for me, so I feel a bit intimidated.  Wish me luck!  I’m sure I’ll learn a lot.  


Thursday, June 2, 2011

Margaret and Nathaniel's Wedding

Well, there is a lot to write about -- a windy hike to Seven Sisters, a foggy one from Ditchling Beacon, a visit to Anne of Cleves home, attempts to learn some British jive, and seeing Die Meistersinger at Glyndebourne.   However, a couple of you have asked about Margaret Crites and Nathaniel Barrett’s wedding, so I will start with that.

Here’s the happy couple on their wedding day!





There was so much love, joy, and gratitude in them and surrounding them, it truly was a blessing to take part in the celebrations. 

As you would expect from these two, the wedding ceremony was thoughtful, a true worship service.  I wish all of you could have heard the evocative, unaccompanied duet that Margaret composed for the occasion.  The service took place in a simple eighteenth-century church in the small town of Fuhrberg, near Hannover, Germany.   









Many of the buildings there, like this one, have prayers, proverbs or family histories written over the door. 

Both the wedding and the reception combined German and American traditions, which sparked some fun and revealing cross-cultural conversations.  Actually there were two receptions -- one immediately after the service and another one that night.  

Bridesmaid Katie Thompson at the first reception

Lindenhof 



Stefan Baral and Groomsmen Jamie Yarborough, Jared Henderson and Ethan Barrett


The evening meal progressed through various courses – aperitif, soup, salad, fish with vegetables, veal, and dessert – with ample time for toasts, stories, and conversation in between each one. 




Dancing preceded dessert, after which more dancing ensued, and then still yet another course!  The multi-tiered wedding cake was unveiled to the strains of the Bridal March.  (Margaret had walked down the aisle to a much more introspective song.)  People danced swing, waltz, disco, and salsa into the early morning.
Dancing Dan with Margaret's Mother Nancy

The celebrations continued the next day with a Texas-style brunch.  As we returned to England Daniel quipped, “We’re not jet-lagged, we’re party-lagged!”  British immigration let us in anyway.  



Monday, May 23, 2011

Daniel has arrived & Lewes Castle

Daniel has arrived!

This afternoon we toured Lewes castle.  In quintessential Daniel fashion, we climbed to the highest point first and then slowly worked our way back down.


Here are two views of Lewes and the surrounding area taken from the castle’s western tower.




The castle's Barbican House:


A view down one of Lewes' medieval twittens (streets) taken from the Barbican:

Twitten & House from the 1300s

Portions of the castle and the barbican date from c1100.  It's first owner, William de Warrenne, was the Bill Gates of his time -- in other words, enormously wealthy and influential.

Daniel striking a GQ pose and looking like the distinguished gentleman that he is:



Laurel looking like a disheveled American tourist:  



As Winnie the Pooh would say, it was a blustery, blustery day – one of the windiest I’ve experienced here so far.

Daniel with blustery hair, chalk cliff in background


Daniel may have better photos or wish to write more, but he is asleep.  In the meantime, here is what the castle looks like from Paddock lane near my house.





More at some point about a Pre-Raphaelite Church and the Farmers Markets.

Christopher Maltman Lieder Recital


May 19, 2011


I am lost to the world
On which I squandered so much time . . .

I am dead to the world’s commotion,
And rest in a quiet realm!
I live alone in my own heaven,
In my love, in my song.

                     Friedrich Rückert, set to music by Gustav Mahler


Another great performance at the Brighton Festival – a song recital by British baritone Christopher Maltman and pianist Joseph Middleton.   [For musicians, the complete program is below.]  Songs about or written in Venice serves as the theme of the first half.  Maltman’s singing during the first two songs of Fauré’s Cinq mélodies ‘de Venise’  lacks a sense of line, but the rest of the set shows both artists to advantage.  Middleton’s playing is exquisite.

The hall is very dark and after the first set the woman beside me laments “It’s a pity it’s so dark.  You can’t read the translations.” 

Maltman returns and addresses the audience.  “It’s a great honor and pleasure to be singing in my home town, but it’s also bloody nerve-wracking!”  Everyone laughs.  “One of the side benefits, though, is being able to take the No. 7 bus to work.”  More laughter.  He asks for the houselights to be raised so that we can read the poetry.

The first half closes with Reynoldo Hahn’s Venezia.  Maltman describes the composer as a “terribly dapper little fellow” who thought his job was to be “the footlights that illuminate the text.”

After the interval, Maltman announces “Sorry to disturb your evening by talking,” but a couple of days ago he and Middleton decided to rearrange the program:  “The three songs by Schubert to Metastasio texts are rather
                                                                                    Low,” he explains           

and the set after (more Schubert) rather high.   
                                                
But I suspect it’s also a matter of poetic tone.  The concert closes with Mahler’s Rückert Lieder, whose final song ends:

I am lost to the world
On which I squandered so much time . . .

I am dead to the world’s commotion,
And rest in a quiet realm!
I live alone in my own heaven,
In my love, in my song.

There is a long silence before applause breaks out, punctuated by shouts of “Bravo!”

Maltman and Middleton do perform an encore, but they make us earn it:  we call them back on stage at least four times.  The song they choose, “Mattinata,” disrupts the spell.  It’s one of those tunes that sticks in your head once you’ve heard it.  I can hear several people humming it as we leave. 

(I had blackberry ice cream at intermission, by the way!)


Complete Program

Christopher Maltman baritone 
Joseph Middleton piano



Fauré Cinq Mélodies de Venise Op. 58

Schumann Two Venetian songs from Myrthen Op. 25

Schubert Gondelfahrer D809

Mendelssohn Venetianisches Gondellied Op. 57 No. 5

Hahn Venezia - Six chansons en dialecte vénitien
Schubert Three Rückert Lieder

Schubert Drei Lieder (Metastasio) D902

Mahler Rückert Lieder